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Zeno1 the philosopher, in order that even against his will no secret should be betrayed by his body when under torture, bit his tongue through and spat it out at the despot.2 And Leaena3 also has a splendid reward for her self-control. She was a courtesan belonging to the group led by Harmodius and Aristogeiton and shared in the conspiracy against [p. 417] the tyrants4 - with her hopes, all a woman could do ; for she also had joined in the revels about that noble mixing-bowl of Eros5 and through the god had been initiated into the secrets which might not be revealed. When, therefore, the conspirators failed and were put to death, she was questioned and commanded to reveal those who still escaped detection ; but she would not do so and continued steadfast, proving that those men had experienced a passion not unworthy of themselves in loving a woman like her. And the Athenians caused a bronze lioness6 without a tongue to be made and set it up in the gates of the Acropolis, representing by the spirited courage of the animal Leaena's invincible character, and by its tonguelessness her power of silence in keeping a holy secret.

No spoken word, it is true, has ever done such service as have in many instances words unspoken7; for it is possible at some later time to tell what you have kept silent, but never to keep silent what once has been spoken - that has been spilled, and has made its way abroad.8 Hence, I think, in speaking we have men as teachers, but in keeping silent we have gods, and we receive from them this lesson of silence at initiations into the Mysteries. And the Poet f has made the most eloquent Odysseus the most reticent, and also his son and his wife and his nurse ; for you hear the nurse saying,9

I'll hold it safe like sturdy oak or iron.
[p. 419] And Odysseus himself, as he sat beside Penelope,
Did pity in his heart his wife in tears,
But kept his eyes firm-fixed within their lids
Like horn or iron.10
So full of self-control was his body in every limb, and Reason, with all parts in perfect obedience and submission, ordered his eyes not to weep, his tongue not to utter a sound, his heart not to tremble or bark11:
His heart remained enduring in obedience,12
since his reason extended even to his irrational or involuntary movements and made amenable and subservient to itself13 both his breath and his blood. Of such character were also most of his companions ; for even when they were dragged about and dashed upon the ground by the Cyclops,14 they would not denounce Odysseus nor show that fire-sharpened instrument prepared against the monster's eye, but preferred to be eaten raw rather than to tell a single word of the secret-an example of self-control and loyalty which cannot be surpassed. Therefore Pittacus15 did not do badly, when the king of Egypt sent bini a sacrificial animal and bade him cut out the fairest and foulest meat, when he cut out and sent him the tongue, as being the instrument of both the greatest good and the greatest evil. [p. 421]

1 Of Elea; cf. Moralia, 1126 d, 1051 c; Diels, Frag. d. Vorsokrat. 5, i. p. 249, A 7; and Dougan's note on Cicero, Tusc. Disp., ii. 22. 52.

2 Called by Plutarch Demylos of Carystus.

3 Cf. Pausanias, i. 23. 1; Athenaeus, 596 f; Leaena means ‘lioness.’ She was Aristogeiton's mistress.

4 Hippias and Hipparchus; cf. Thucydides, vi. 54-59; Aristotle, Ath. Pol., xviii. 2.

5 The motive of Love runs through the entire story: Thettalus and Harmodius's sister, Aristogeiton and Harmodius, Leaena and Aristogeiton. This was Eros's mixing-bowl.

6 See Judeich, op. cit., p. 231.

7 Cf. Moralia, 10 e-f, 125 d; 515 a, infra.

8 Cf. Horace, Ars Poet., 390: nescit vox missa reverti.

9 Eurycleia; adapted from Od., xix. 494.

10 Od., xix. 210-212; cf. 442 d-e, supra.

11 Cf. Od., xx. 13, 16.

12 Od., xx. 23; cf. 453 d, supra.

13 Cf. 442 e, supra.

14 Cf. Od., ix. 289.

15 Cf. Commentarii in Hesiodum, 71 (Bernardakis, vol. vii. p. 88); told also of Bias in Moralia, 38 b and 146 f.

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