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[3]
Wherefore we should give our
language a “foreign1 air”; for men admire
what is remote, and that which excites admiration is pleasant. In poetry many
things conduce to this and there it is appropriate; for the subjects and persons
spoken of are more out of the common. But in prose such methods are appropriate
in much fewer instances, for the subject is less elevated; and even in poetry,
if fine language were used by a slave or a very young man, or about quite
unimportant matters, it would be hardly becoming; for even here due proportion
consists in contraction and amplification as the subject requires.
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