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Browsing named entities in a specific section of John Conington, Commentary on Vergil's Aeneid, Volume 2. Search the whole document.

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The introduction of Apollo as a combatant is in the Homeric spirit, and perhaps actually suggested, as Heyne thinks, by Il. 16. 700 foll., where however Apollo has no weapon but a shield. Propertius in his poem on the battle of Actium (El. 5. 6) makes Apollo the priucipal figure, which is itself a compliment to Augustus, who wished to be considered the som of the god. It is needless to say that such a deux ex machina is much more in place in a quasi-symbolical picture than in a narrative poem: still, we may question the propriety of making Apollo at once decide a battle where the other Olympian deities were already engaged on the side of Rome.
The introduction of Apollo as a combatant is in the Homeric spirit, and perhaps actually suggested, as Heyne thinks, by Il. 16. 700 foll., where however Apollo has no weapon but a shield. Propertius in his poem on the battle of Actium (El. 5. 6) makes Apollo the priucipal figure, which is itself a compliment to Augustus, who wished to be considered the som of the god. It is needless to say that such a deux ex machina is much more in place in a quasi-symbolical picture than in a narrative poem: still, we may question the propriety of making Apollo at once decide a battle where the other Olympian deities were already engaged on the side of Rome.