hide Sorting

You can sort these results in two ways:

By entity
Chronological order for dates, alphabetical order for places and people.
By position (current method)
As the entities appear in the document.

You are currently sorting in ascending order. Sort in descending order.

hide Most Frequent Entities

The entities that appear most frequently in this document are shown below.

Entity Max. Freq Min. Freq
Athens (Greece) 26 0 Browse Search
Greece (Greece) 26 0 Browse Search
Sicily (Italy) 22 0 Browse Search
Piraeus (Greece) 18 0 Browse Search
Argos (Greece) 10 0 Browse Search
Thebes (Greece) 10 0 Browse Search
Troy (Turkey) 8 0 Browse Search
Attica (Greece) 8 0 Browse Search
Egypt (Egypt) 6 0 Browse Search
Peloponnesus (Greece) 6 0 Browse Search
View all entities in this document...

Browsing named entities in a specific section of Aristotle, Rhetoric (ed. J. H. Freese). Search the whole document.

Found 6 total hits in 2 results.

Teos (search for this): book 3, chapter 1
he authors of tragedies acted their own plays, there was no need for professional actors, nor for instruction in the art of delivery or acting. This explains why no attempt had been made to deal with the question. Similarly, the rhapsodists （reciters of epic poems） were at first as a rule the composers of the poems themselves. It is clear, therefore, that there is something of the sort in rhetoric as well as in poetry, and it has been dealt with by Glaucon of Teos among others. Now delivery is a matter of voice, as to the mode in which it should be used for each particular emotion; when it should be loud, when low, when intermediate; and how the tones, that is, shrill, deep, and intermediate, should be used; and what rhythms are adapted to each subject. For there are three qualities that are considered,—volume, harmony, rhythm. Those who use these properly nearly always carry off the prizes in dramatic contests, and as at <
Sicily (Italy) (search for this): book 3, chapter 1
e poets, as was natural, were the first to give an impulse to style; for words are imitations, and the voice also, which of all our parts is best adapted for imitation, was ready to hand; thus the arts of the rhapsodists, actors, and others, were fashioned. And as the poets, although their utterances were devoid of sense, appeared to have gained their reputation through their style, it was a poetical style that first came into being, as that of Gorgias.Of Leontini in Sicily, Greek sophist and rhetorician （see Introduction）. Even now the majority of the uneducated think that such persons express themselves most beautifully, whereas this is not the case, for the style of prose is not the same as that of poetry. And the result proves it; for even the writers of tragedies do not employ it in the same manner, but as they have changed from the tetrametric to the iambic meter, because the latter, of all other meters, most nearly resemble